4.3. Colours in Merkava

The colours in merkava function in the same way as described in the previous chapter, only even more successfully, as the contribution of merkava is significant. Generally, the white merkava is most frequently used, while in healing the most often used merkava is the blue one, as any therapy on a physical body is concluded with this colour. When healing cancer, we use the purple colour. Persons who are impatient and get angry easily, the so-called hot-tempered persons, can be calmed down somewhat if we do a pink merkava on them. We do a yellow merkava for a car, so that those on the road notice us quickly.

With colour drawing and use of merkava, we can make one of the most successful talismans or amulets known around the world. Rafael Rosen discovered that these drawings are as successful as the voodoo magic, and so he called them voodoo drawings.

The creation of these drawings is based on a spontaneous drawing of three rays, approved by divine goodness, with three different colours. Three rays, three parts of our wish: the basic form, complementary energy and divine blessing are drawn to make us successful in something or to create a protection or to add the energy needed, all under control of the eye sensor and under the protection of a merkava.

VOODOO DRAWING

We prepare a sheet of white paper and three different colour pencils. We do not use pencils of grey and black colours. Instead of simple pencils I recommend for the beginning that we also use other writing instruments, like a ballpoint pen or a felt-tip pen.

We put the paper on the table and hold the pencils in one hand. We think of a wish for which we will make a voodoo drawing, like me, wishing ‘the writing of this book to be successful’.

We take one of the pencils in the other hand and lift it around 30 cm above the paper. We set our eyes in the sensor position, blink and ask the first ray to fulfil our wish. When blinking starts, we lower the colour pencil to the paper and let the hand spontaneously slide and scribble on the paper. The focus is on the sensor: The hand uncontrollably or spontaneously draws on the paper. When blinking stops, we stop drawing. We put the colour pencil on the table.

We draw in the same way with the second and third pencils: first we ask the ray and spontaneously draw on the paper until the blinking stops. We draw with colours, one across the other, on the same piece of paper.

Thus, we have produced a talisman, working to fulfil our wish. The paper with the drawing works successfully if we put it on the surface of a table, like Rafael Rosen: he discovered that the talisman drawing should not be closed in a book or drawer, since it will not work from there.

We do a white merkava on the voodoo drawing on the paper.

Now, the drawing will work no mater where we put it, in a drawer, a book, on the wall or in a cupboard. To check whether the drawing works and how the energy behaves, we do a test with blinking.

We place our hand above the drawing and start to blink. We raise our hand until the blinking stops and then make a circle with the hand above the drawing at the height at which the hand stopped. If the fulfilment of the wish is in one direction, our eyes only blink in that direction, and if it is in several directions, they blink in these directions when we are making a circle above the drawing with our hand.